Coming December 1, 2020!
Eugen Bacon’s work is deemed cheeky with a fierce intelligence in text that’s resplendent, delicious, dark and evocative. NPR called her novel Claiming T-Mo ‘a confounding mysterious tour de force’. The Road to Woop Woop and Other Stories imbues the same lushness in a writerly language that is Bacon’s own. This peculiar hybrid of the untraditional, the extraordinary within, without and along the borders of normalcy will hypnotise and absorb the reader with tales that refuse to be labelled. The stories in this collection are dirges that cross genres in astounding ways. Over 20 provocative tales, with seven original to this collection, by an award-winning African Australian author.
- Eugen Bacon writes assured, lyrical prose wherein timeless tales bordering multiple genres are hunkered. At the conflux of myth and memory, where cultures meet and twine, her stories devour the past whilst illuminating the future. Reading Bacon is an immersement, a journey. The stories she tells are those to relish. — Andrew Hook, award-winning editor and author of Frequencies of Existence
- An exciting and transcendent literary experience with an air of magic anybody should be able to appreciate. —Maddison Stoff, Aurealis Reviews
- Delightful, depressing, delicious, desirable, fulfilling. The stories gathered here are airy and prismatic, and the gravitas of Bacon’s worldview does not preclude intimacy or mischief. Many cultures converge and challenge each other in this collection and these prove to be at odds with the equally pressing need to be an individual in the world. The answer is often to weave myths and fables from different traditions imbued with the politics of gender and race, perhaps best illustrated in the persona of the Phoenix which recurs in different guises and with different attributions throughout the book. —Dominique Hecq, award-winning poet, novelist, short story writer
- Eugen Bacon writes with cheekiness and a fierce intelligence that shines through every page of her work. Right from the first sentence, the voices of each of her narrators grab the reader with their lucidity, their panache, and their uncompromising observational rigour. This rigour manifests itself in the freshness of Bacon’s prose, making the reader reconsider all expectations related to genre, identity, and gender stereotypes, and opening up new possibilities with every turn of phrase. Her work may be rooted in the conventions of sci-fi, yet its speculative nature is grounded in the most surprising, realistic details that serve to blur the boundaries between literary genres and suggest a more fecund apprehension of what literature might be. Bacon’s narration sometimes borders on the erotic, sometimes on the raw truth of human frailty, but is always delightfully subversive and unapologetically transgressive. When Ursula K. le Guin said that fiction, poetry, drama “cleanse the doors of perception”, perhaps she was talking about this invigorating quality present in the work of Eugen Bacon. If Bacon’s shorter works are any indication of her handling of longer narrative arcs, then readers of her forthcoming novel are in for a delicious and satisfying treat. —Roanna Gonsalves, Other Terrain, award winning author of The Permanent Resident
- Bacon’s imaginings are especially resplendent in their connection to Australian and New Zealand cultures, both traditional and acclimated, and shows the unique beauty of speculative fiction Down Under. Whether exploring our fears in the modern landscape, complete with Uber drivers and spying satellites, or through strange landscapes and the eerie minds of quirky protagonists crafted from crisp, punchy prose, one cannot leave without a new appreciation… or depreciation… of death. Bacon’s stories are simultaneously powerful, yet subtle and endearing. —Tamantha Smith
- Each story in the collection is vastly different from the next—in voice, setting and length. Yet the book comprises an assemblage of narratives that flow seamlessly from one to the other, with snappy dialogue and striking imagery that roll off the tongue and widen the reader’s eyes. —Angela Wauchop, Other Terrain
- This is a book to curl up with on a rainy winter afternoon, when you can give each story its due and reflect on it afterwards. —Kris Ashton (award-winning author), Andromeda Spaceways Magazine